Truly "La Maestra". A fantastic coach.

Highly recommended, amazingly helpful.

BARBARA HANNIGAN

An actual School of Singing.
A form of mental hygiene that allows access to the very heart of Singing.
RENATO CADEL

​

Linguistic genius. Almighty for vowel purity.

PETER TANTSITS

​

Language, music, characters brought to life. Results of the very highest quality.

PAUL NILON

​

Next-level help. I leave after one hour feeling LESS vocally tired. Impossible to articulate how valuable her work is to make a role really succeed on stage.

ARIADNE GREIF
 

Sara's teaching of lyric diction is so closely wed to well connected, legato vocalism, that I end up singing with better technique every time we meet.
ANDREW NOLEN

​

A new role doesn't go on stage if Sara hasn't worked with me on it. 
JENNIFER ROWLEY

Deep knowledge of the repertoire; excellent insights into the musical phrasing and the dramaturgy; plenty of tools to work on your own as well!
ANGELOS SAMARTZIS

​

Magic keystone of vocal technique, musical interpretation and building of the character.

A radical rethink of the act of singing.

ANNA PIROLI

 

Incredible breadth of knowledge.

After we work I feel entirely prepared.

HEATHER LOWE

​

She opened up my voice, and a world.

GIULIA ZANIBONI

​

Entirely devoted to the art of Opera singing.

IDA FALK WINLAND

​

Professionalism and thorough preparation.

MARIE KUIJKEN

​

Truly holistic approach, method and technique.

CHRISTIANA ALONEFTIS

​

A 180° turn in my work with the singers.

THEOPHILOS LAMBRIANIDIS

​

A lifeboat, a light-bearer carrying the torch of finest Italian Opera.

NATHANIEL KONDRAT

​

Like four experts in one. 

Taking all those elements and creating a single intention.

YISELLE BLUM

​

Patience, professionalism, listening.

I now feel alive and present when I sing.
MADDALENA DE BIASI

​

She teaches phrasing, and a cure and respect of the music and the words’ musicality, in a way that can be learnt so deeply nowhere else in the world.

MATILDE BIANCHI

​

Enlightening; professionally and humanly.

CLARA LA LICATA

 

Truly unique method; and insights.

JASMINE LAW

​

Brings life to operatic drama.

MARIA SANNER